Director David Schweizer has employed the unique resources of a professional company to sand down some of the rough edges in the script, in a way smaller companies couldn’t do. Using those resources, he has sneakily transformed a mid-century work of American realism into something fantastical like Midsummer Night’s Dream or As You Like It, and thereby has solved a lot of problems.
Posts Tagged ‘The Merchant of Venice’
To the audiences thronging recent New York productions of The Common Pursuit and Clybourne Park, any effort by the playwrights to make a “just distribution of good and evil” would surely have seemed both unpalatable and dishonest. And the revival of Gore Vidal’s The Best Man [sic] shows the dangers of labeling choices and characters too confidently.