That is the ultimate temptation inherent in turning classic plays into vehicles for screen stars. Those stars pull in audiences filled with the uninitiated, with people who fundamentally do not know how to watch a play, and who are too easily satisfied. Commercial success can be achieved with something half-baked. And half-baked seems to be more the norm than the exception with the successes that do result. Classic plays tend to require directorial shaping; stars tend to tempt directors to slack off. It’s not a good thing.
Posts Tagged ‘homeland’
There is an overlay of mutual incomprehension in the struggle over the Innocence of Muslims video. But I would submit that both sides still have pretty clear ideas about what is at stake.