‘Every good story’s a war story,’ says a character in Scott and Hem in the Garden of Allah, premiering at the Contemporary American Theater Festival. That certainly seems to be playwright Mark St. Germain’s approach in imagining a 1937 encounter between writers F. Scott Fitzgerald and Ernest Hemingway.
Posts Tagged ‘1937’
True, the conclusion that Tom is gay, closeted, and alienated thereby from his family is not absolutely compelled. The failure of the script to “go there” arguably leaves room for actors and directors to interpret. But any other conclusion than that Tom Wingfield, like Tom Williams, is gay would be misinterpretation. And it is a misinterpretation with consequences.